Desert Sayings
Poetry by Donovan Mcabee
Poetry by Donovan Mcabee
Reducing transcendence to its therapeutic potential ignores volumes of wisdom from traditions that emphasize the dangers of nonordinary experience. By Rachael Petersen
The formation of Greenpeace and Earth First! in the 1970s was a reformation within the largest cadre of militant psychedelics, the Yippies!. By J. Christian Greer
Paintings, poetry, and reflections on entering a state of being “fully aware of the presence of another being and our shared environment” while making art. By Maisie Luo
In November 2021, Maisie Luo took a ritualistic path through Harvard Yard with her painting of the North Atlantic right whale. By Terry Tempest Williams
A working definition of sacred poetry rises directly out of this poet’s experience as a child praying in Arabic: earnest, musical language meant to thin the partition between a person and a divine. By Kaveh Akbar
Reading Simone Weil, Fanny Howe, and Mark Jordan helped demonstrate how we can be transformed through the process of waiting. By Nancy Yuen-Fang Chu
Womanism founders Katie Cannon and Delores Williams created groundbreaking work that has led to a wide range of scholarship focused on the thriving of Black women. By Gary Dorrien
In Blood Theology: Seeing Red in Body- and God-Talk, Eugene F. Rogers, Jr. exposes the toxic allure of blood imagery in Christian art, literature, and practices. By Mark D. Jordan
Mormons continue to be depicted in popular culture as victims, criminals, or disaffected. By Jaxon Washburn
Austin Reed’s antebellum memoir The Life and the Adventures of a Haunted Convict subverts notions of incarceration as spiritually regenerative. By Klaus C. Yoder
A selected reading list from Terrence L. Johnson’s course “Racial Liberalism and the Ethics of Law and Justice.”
A Q&A with Wendy Sanford and Mary Norman about These Walls between Us: A Memoir of Friendship across Race and Class. By Eva Seligman
Schooling must be abolished so that education can begin, and abolitionist theology is a starting point. By Ashley Y. Lipscomb
This is the other main theme running through the issue: the need to “treat our materials seriously” and use our creative powers to imagine—indeed, to build—what is not yet, as Lipscomb puts it, “to create a world we have not seen.” By Wendy McDowell