Category: Autumn/Winter 2025

Reframing Religions as Platforms

In The Divine Economy: How Religions Compete for Wealth, Power, and People, Paul Seabright draws on insights from economics to reframe religions as competing “platforms.” By Swayam Bagaria

Dancing with the Demiurge

Gregory Shaw’s Hellenic Tantra: The Theurgic Platonism of Iamblichus is a critique of the metaphysics of our age, which disempower the imagination and blind us to our own capacities for the divine. By Simon Cox

Being Happy for a Change

Bon Iver’s SABLE, fABLE reckons with what happiness might be, once we have come to terms with sadness. By Russell C. Powell

Descending Into the Underworld

A Q&A with Ahmad Greene-Hayes on his new book Underworld Work: Black Atlantic Religion Making in Jim Crow New Orleans. By Janan Graham-Russell

Sacred Sleep of the Wandering Fool

After the author starts treating sleep as worthy of attention and cultivation as any other soulful domain, she experiences shifting energies and curious moments of insight. by Sarabinh Levy-Brightman

AI Is Not Truly Innovative

Compassionate interrogation offers an intervention to interrupt the creation of often invisible systems of inequity and violence in AI design and profiling. By Jenn Louie

Suprahuman but Inhuman Gods?

It is vitally important that religious studies scholars and theologians critically assess what it means to sustain conversation with AI. By Daniel H. Weiss And Darren Frey

AI Harms Are Not Ethically Inevitable

It is essential to recognize AI’s active role in exacerbating social ills and injustices so ethical guardrails can be crafted. By Richard J. Geruson

The Fog of AI

The fog of AI captures both the uncertain informational provenance around concepts of human flourishing and the confounding effects a transformative technology like AI has on these same concepts. By Swayam Bagaria

Meaning Making, Bodies, and AI

We are quick to simplify not only the human mind and consciousness, but also the importance of embodied social realities that make us who we are. By David Lamberth

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